This is a very short disorganized blurb, and I apologize, but I wanted to get some notes down from what I’m exploring as far as my thesis goes.
As I’ve mentioned previously, my master’s thesis is exploring the last will and testament of Kale Pakouriane from 1098. I’m going into her inventory and trying to reconstruct her life from her material culture. One thing that really sticks out is the amount of mantles she has.
There are three different words for “cloak” or “mantle” in her will: mandyas, which I’ve already written up as the semi-circle one last year. The sagion, which was evidently shorter, apparently knee-length versus ankle-length, this is something Parani points out in Reconstructing the Reality of Images, and then the one line where my translation was getting extremely confused because of words is a garment that was allegedly called the thalassa, or “sea”. It was another type of cloak, but according to Dawson in his article within Varieties of Experience, there’s only a few mentions of it in written history, namely De Cerimoniis, where Constantine Porphyrogennetos refers to it as a gift for royalty, and in Kale’s will. He’s not sure why it’s named this, but narrows it down to having to do with a particularly luxurious fabric that could vary from a specific shot silk from the Arabian peninsula, or a blue/green/gray dyed COTTON from Persia or Hindustan. We just don’t know, and may never know.What this does mean, however, is that it was particularly luxurious.
What this project has taught me so far was that these mantles were a way to show off wealth and probably protect your equally luxurious clothing. Kale had an impressive wardrobe. I just ordered the French translation of the will and the scans of the actual Greek document. $200 later. Academia is stupid.
I know this is going to raise a lot of questions, but I don’t have all the answers yet. Please be patient while I work on this. My mundane life and graduate degree must come before anything SCA. I just wanted to get this information out. These little nuances will greatly change how we should project ourselves in 11th Century Byzantine clothing.