Sari not sorry, and an unexpected surprise!

I’ve posted previously on how using vintage cotton saris works for posh-looking classical garb on a budget. So, during my sari splurges, I picked up a few that I thought would work for Byzantine applications. It only took me a year to complete an unfinished early-period style dalmatica, but once I focused, I got it finished in a couple of hours for wearing at Calafia Anniversary.

I didn’t get any in-progress pictures, but here are the results:



The method:
Use the sari as fabric. It’s narrower than most modern bolt widths (around 36-42″ wide) so plan accordingly for what you need. I’m not that tiny, but it worked fine for my 42″ bust using the full width, and just cutting the garment into shape like and old-fashioned t-tunic with the Byzantine curved underarms. I didn’t add gores, but I did have enough left to consider putting in narrow ones if it came down to it. So this is a bit more slim-fitting than an actual period garment would be. I saved the extra to use as sleeve extensions instead, which I haven’t done yet. I may just keep the short sleeves, which is just the finished edges of the sari, thus eliminating the need for a hem or trim application.

The bottom embellishment is the pallu (decorative end) of the sari, applied as a facing to the bottom hem, and then covered with spangly trim to completely seal all raw edges. The weight on the bottom is essential, otherwise sari fabric is just too filmy and light for the proper fall of an over tunic. I should have done a facing on the neckline as well, but I ran out of steam.

~Good for outside events where there will be dirt, but you need to dress a bit nicer. I spend $17 on the sari. If it gets wrecked, all I do is remove the trim and throw it out, versus crying over potential damage to my nicer clothing.
~Great for newcomers, or those looking for a garb “one-shot” for a themed event, due to all of the above.

~Too slim fitting for accuracy, and may not work well for fuller figures.
~Cotton is too filmy for a nice dalmatic/over tunic. This is a cotton/poly blend, so if it was a bit hotter, I could have risked being really uncomfortable. I did get chilly near the end of the day. I picked it because the pattern is actually quite period for early Byzantine, and decided to take the risk. 100% silk would be best, but then cost can become an issue.
~A lot of saris are “art silk”, which is not real silk, it’s short for artificial silk that is 100% dead dinosaur. A lot of these are far nicer than straight cotton ones, but it’s a great way to make yourself garb that doesn’t breathe, so shop carefully, or plan to wear it sparingly (and indoors!)

I will probably make a couple more of these for Pennsic or other grubby camping events when I need to not look like a scrub, but I wouldn’t recommend filling a wardrobe with them.

Ironically, I was wearing this when I was summoned by their Majesties of Caid and gifted with their Lux Caidis, the Grant-level award for Arts and Sciences. It caught me completely off guard, because I had moved closer to see if one of the friends I had written in was receiving the award. Evidently, when they called my name, I made a velociraptor shriek of surprise.

Caid has been velociraptor-free for zero days.

Here’s a bad picture of the medallion on my chest, just above my Eastern Maunche, which carries the same precedence.


Unfortunately, with me returning to the East Kingdom in December, I feel like I have really no time to repay Caid for the precious gift, and it’s hard to put my honor into words.

Smashing the idea of the “Byzantine Period.”

So, you want to have a Byzantine persona? Welcome to the ranks of the mysterious  medieval orient.

This, and more, are going to become a page here on my site shortly *points up to links*, I just need to find time to sit down and do it. Until then, I feel the information I am presenting here is somewhat necessary for SCAdians to find direction in their path, either to a full-fledged persona, or a garb project for a themed event.

Often, when people ask me what a Byzantine should wear, I respond with, “What period?”

This gets me a look of total confusion, and a response of, “You know, Byzantine.” I take a deep breath, and prepare to either bore the poor individual to tears with a well-rehearsed speech on the massive construct that was over 1000 years of history, or I open the flood gates and get them more excited about digging into more. I always hope it’s the latter, but the foremost argument I have to make is this:

There is no “Byzantine period.”

Repeat after me:

There is no “Byzantine period.”

That is the equivalent of asking somebody for French garb, and nobody ever just says “French”, there’s usually a century attached to it. Why is this never the case when it comes to Byzantine? Byzantine, like French, is a culture, it’s a place, it’s not a standalone period.

The Byzantine Empire, which is an anachronistic term for the Eastern Roman Empire, was the longest running medieval culture in Christendom. I use that term specifically, since it was not really a European culture, as much as it was an “Eastern” culture, or, generally referred to as “oriental.” Of course, that word today has a completely different connotation that comes across as somewhat pejorative of the Far East, but in actuality, it literally just means “eastern”, and that is exactly how the Western Europeans viewed the Romans, whom they referred to as Greeks. Both are correct, but a Roman would never call themselves Greek. 😉 They barely viewed themselves on the same plane of existence as the rest of the continent, as it was, and as my brother just haughtily remarked on my Facebook page less than 3 minutes after announcing I was writing this post, viewing the Eastern Romans as “medieval” is even somewhat insulting, but for the sake of the instructional nature of what I’m trying to do, this is the approach I’m taking. (What can I say? Byzantines were snooty people.)

So, as a newcomer, consider the Byzantines the medieval Greeks, because that is exactly who they were.  Wash the romantic imagery of draped clothing, columns, and Socrates out of your head, because I know that’s exactly where you went. 😉 While ultra-early Byzantine would be basically Roman, let’s fast forward a bit to the 6th Century, during the reign of Justinian and Theodora. Here, we find what most scholars refer to as the shift into what is considered “Byzantine,” versus Late Antiquity. The culture did shift, and with that, so did clothing, language, religion, law, architecture, etc.

This is the period most SCAdians view as “Byzantine”, the 3 pages in their Western Civilization textbook devoted to the laws of Justinian and how his wife may have been a prostitute, and onto the feudal system you go in the next chapter. This is where I need my readers to start thinking outside of this box, because you’re looking at a total of 38 years encapsulated within the time Constantine renamed the Greek town of Byzantium to the new Roman capital of Constantinople in 330, to 1453 when Constantinople was taken by the Ottoman Turks. That’s a lot time to assume that everybody wore exactly what Justinian and Theodora wore in the San Vitale mosaics.

I break the Byzantine Empire down into 4 parts for ease of understanding culturally, but there were still shifts within. Heck, I just got an older book this week on the cultural changes between the 11th and 12th Century, which is where I “live”, so even I still need to do more nailing down.

The Byzantine Periods According to Anna:

Roman Period 330-500 CE
Early Byzantine Period (including Iconoclasm) 500-900 CE
Middle Period (Golden Age) 900-1204 CE
Late Period (Collapse) 1261-1453 CE 

Important dates you NEED TO KNOW:

First Iconoclastic Period: 726-787
Second Iconoclastic Period: 814-882
Establishment of the formal Varangian Guard: 980’s
Sack of Constantinople during the 4th Crusade: April 12th, 1204
Latin Empire/Empire of Nicaea: 1204-1261
Empire of Trebizond: 1204-1461
Despotate of Epirus: 1204-1479
Fall of Constantinople: May 29th, 1453

I’m not going to go into a detailed history of the Fourth Crusade and the successor empires during this post, but as you can see, after the sack in 1204 by the crusaders, things kinda hit the fan and shattered. The Empire did not recover fully, and it remained unstable through to the absolute fall at the hands of the Ottomans in 1453. In my opinion, both scholarly and SCAdianly, anybody who wants a persona post-1204 has their work cut out for them. It can be done, it SHOULD be done, but I have yet to really see anybody nail it. My persona was probably dead by the mid 12th Century, so it’s all science fiction to me. 😛 Likewise, anybody looking for sources during the 8th and 9th centuries will also run into a lot of dead ends. Iconoclasm resulted into the loss of most artistic record from that period and earlier, which is why we have more illuminated manuscripts, frescoes, and mosaics from the 11th and 12th centuries than we do the 6th and 7th. These are all unfortunate events that are part of the Empire’s history, and as researchers and re-creators, we need to come to terms with it. Some things will just not be done easily, but what you can find could be incredibly rewarding.

I’m going to wrap up this post with a short selection on clothing, since that’s what a lot of people want to know about. When I make my full page, I’ll go into more detail regarding other factors.

Sumptuary laws are, and always were, a thing. Many pieces of artwork we have are just of imperials, and the average aristocrat, and certainly not the commoners, would be wearing the same fashions as their rulers.  While, as far as I know, there are no harsh rules in the SCA regarding dress aside from peerage elements and coronets in some kingdoms, in period a fashion faux pas could be devastating depending on when and where you lived, so if you plan to take the Byzantine route seriously, such laws need to be taken into account when it comes to your wardrobe, both male and female. Even shoe color was regulated. That idea of Byzantines always wearing red shoes? Drop it. That was for Imperials ONLY according to De Cerimoniis, a court manual written in the 10th Century. Prior to that? It seemed to be more widespread. Little things like that can make the difference between, “That guy in the clavii striped tunic and red shoes is a Byzantine” to, “Wow! You’re wearing something I’m not familiar with as Byzantine, tell me more.” There is so much of this culture that the SCA has just not explored.

Look at the differences between the clothing in the images below just to get a sense of how much things really changed over time.

6th Century Imperial and Attendants, showing a variety of fashions from the reign of Justinian I.
14th Century Imperial fashions from the Lincoln Typikon, showing the encroaching Ottoman Turkish styles present in dress, 100 years before the Empire fell. Tell the 14th Century Mafia to step aside, this is how it’s done.

The purpose of this post is, of course, not to chastise, but rather remind folks that there’s so much more out there to explore. Break out of the SCAdian conscience of just “Being Byzantine”, and find your home somewhere within your own personal One True Century, within the One True Empire.

Image may contain: 1 person, hat
Konstantia made this for me. This is why we can’t have nice things. (I was making sekanjabin en masse for an event. I SWEARRRRRR!)