As of this point, I am taking a step back from the SCA for a duration of time yet to be determined. I will still show up at some events, but current politics, coupled with exhaustion due to drama and other issues has driven me out.
I am happy to continue to field questions and will be actively monitoring my site until I feel fit to return to my research for the society’s purpose. Until then, I am going to be focusing on my mundane research for upcoming conferences, and consider moving forward with my PhD.
Or something to that effect. Edit 7/12/2019: It’s called a diplax, not himation. Derp.
Being that it will be no less than the temperature of the surface of the sun, plus 3000% humidity this weekend at Trimaris Coronation, I decided that less was more, and I would go in that killer yellow chiton from my previous post.
But then I decided to add more.
As mentioned, the Chios Kore is probably my favorite all-time Archaic statue. And the polychromatic replicas just make my gaudy heart sing. Plus that perfect example of the archaic smile. What does she know?
Here are the photos again, for a refresher:
508907 Kore 675, 510-520 BC, attributed to Archermos from Chios, marble sculpture of archaic age from Chios, Acropolis in Athens Greek Civilization, 6th Century BC; (add.info.: Kore 675, 510-520 BC, attributed to Archermos from Chios, marble sculpture of the archaic age from Chios, the Acropolis in Athens (Greece). Greek Civilization, 6th Century BC. Artwork-location: Athens, Moussío (Acropolis Museum, Archaeological Museum)); De Agostini Picture Library / G. Nimatallah; it is possible that some works by this artist may be protected by third party rights in some territories.
Take a look at her himation, the over-garment that would evolve into the Roman palla and toga. You see this style on multiple statues, such as the ones in the header on this great page that discusses polychromy and its recreation a bit more in detail:
It’s not really a “himation” at all, but more of a peplos that is pinned as a chiton on one shoulder only. I figured this was easy enough to do, and would help complete my look for this weekend. This project was done entirely by machine in less than 2 hours. I think the longest part was just getting the trim down.
I went with the same orientation of the linen as the chiton: using the long weft length instead of the warp. I figured this would give me a comparable drape, and continue on this archaic project being a fabric-conserving venture. In hindsight, it probably could have been longer, but at least it won’t be dragging on the ground.
I started with a length of 2 yards and 10 inches (82″ total) of lightweight blue linen, and finished the two raw edges first. I maintained the finished selvedges as the hems.
After that, I went and started making my peplos, using a 16″ peplum, and ironing the snot out of it to get a nice sharp crease.
I applied a nice contrasting band of meander trim along this crease. In period, it would probably have not tacked the fold down, but rather have been a horizontal stripe along the fabric, and the fold actually being free to open back up. This would have allowed the garment to be worn multiple ways. For the sake of this test project and ease of wearing at an SCA event, I just stitched it down. The next one I try will be more accurate, so I can re-work it into a chiton or peplos or himation as I choose.
I then put bands of trim on the base of the peplum, and at the hem. Mixing them up a bit like on the original artwork. I did not have enough of either to do the vertical stripe down the front, or anything that looked “Grecian” enough to really match this go around. I’ll have to do some hardcore trim shopping and see what’s out there for my next attempt.
Here’s some pictures of my trim layout, complete with cat assist. I pulled up the top trim in the last photo to show my cheater stitches along the fold.
Next was draping. I threw it on the dressform, and formed the peplos. It is short, but look at how nice it fits the body, like the Peplos Kore variants, versus the more draped later styles. Once again, this is a 16″ peplum, and it fits nicely from my shoulder to natural waistline.
While on the dressform, I just started measuring like I would for a typical classical dress: found the center points, measured out my neckline, and then formed my sleeves from there. The Chios Kore shows 7 disc pins, I used 6 round buttons. I’ll probably use one of my smaller fibulae to keep it attached to my chiton, and stop it from slipping down my arm. It really does miss that vertical stripe, so I may have to go back and add one once I find a suitable trim for it.
And just like that, it was done!
Here are belting variations:
And the side views. The open side makes for a more accurate garment, but if one were to make this into a functional full peplos or chiton, it would have to be wide enough to wrap around the body, or a nice breeze may reveal quite a bit.
I’m exceptionally pleased at the color palette, since the primaries were all over the archaic statues. While they were common tempera shades, I do admit I’m not 100% sure on if those colors could be achieved by dyes so early. I’ll have to touch base with my dyer friends to see what they think.
Now, if only I could put my hair in multiple braids to complete this look!
Thank you to everyone who contributed to keeping the page afloat! We are all set and ready to go for another year.
And now the good stuff:
Now that my crazy non-SCA costuming conventions and fun stuff are behind me, I can ease myself back from my Byzan-cation and start getting back to research. It’s always a good idea to let your brain cool for a bit and explore other things. I have another project coming up that isn’t Byzantine, but it’ll be fun to talk about.
I presented my master’s thesis on Kale Pakouriane’s clothing at the International Congress on Medieval Studies in Kalamazoo back in May. So there’s still plenty of Byzantine happening.
I went to Costume College! I taught at Costume College! I was pretty much the only medievalist there, hurray! Thanks to everyone who came to my classes at such inconvenient hours on Sunday. I am now totally inspired to sew all the things, but unfortunately, I can’t make it next year. Maybe the year after!
THL Gieffrei (The Norman Husband) and I are relocating back to the East Kingdom from Caid this coming winter. I swear, the Navy hates us. I’m not looking forward to that drive. Or facing the brunt of a New England winter after such a lovely respite in Southern California. 😦 On the bright side *snort*, I’ll be at Birka, barring no strange nuances of a military PCS.
That also means I will be at Pennsic.
There are some epic site updates coming. I’ve been working on re-writing some content of the fixed pages, and adding some new ones. That means a layout change soon, as well. I like changing themes every year or so anyway. It’s like changing socks, gotta keep things fresh. 😉
With that said, I got plenty of work to do. The whirlwind of events consisting of Star Wars Celebration, San Diego Comic-Con, and Costume College have WRECKED my house, and my poor workshop space. Time to get back to a status quo.
So, while I’m taking a short break from heavy SCA sewing and research, I want everybody to help me keep my brain ticking.
Every week, or however often I get questions, I’m going to have a question/answer column here on my blog. Feel free to ask me anything about Roman and Byzantine history, textiles, clothing, etc, and I’ll give you a complete answer, or as complete as I can, with citations to send you on your way. General ancient and medieval history questions can also be fielded if you’re looking for something more broad.
If this gets busy, I don’t know how many questions I’ll be able to answer, but I’ll do my best to make sure that everybody is covered.