over the next few weeks, I will be taking some of my classes and making them available as webinars, which I will upload to Youtube.
over the next few weeks, I will be taking some of my classes and making them available as webinars, which I will upload to Youtube.
“Welcome back! ….a what?”
A Byzanbeanie. Or rather, a kamelaukion, a small round hat that in period, could be coated with bling.
A modern hat of the same name is part of Orthodox Christian clergy attire, and looks like this:
But the look I was going for, was in part, based off of this, the Crown of Constance of Aragon. German (Not Holy. Not Roman.) Empress in the early 13th Century.
This hat is a proper Byzantine era kamelaukion from the period I prefer to represent (900-1204).
I figured it was doable in an afternoon, at least the sewing portion of it. After that, embellishment would take what it would.
The original crown is covered in filagree gold, which is well beyond my skill, and also, well, “Crown”. While I’m a baroness of the court and entitled to wear a coronet, a crown is still above my station. This means that the arches over the seams have to go, too. While they would have hid some sins, arches are symbols of imperial rulership. Constance was an empress, I am not.
I also wanted a hat that I could dress up and down, so the praipendoulia would need to be removable. Cloth was my best bet.
I decided to use some Sartor I used on a tunic of Gieffrei’s a few years back.
While I tried to preserve as much of the roundels as I could, the reality is that in period, they would have cut to conserve fabric as a whole, not necessarily the design, so I had to keep that in mind, as well. Sartor silks are EXPENSIVE, and I want to eliminate waste as much as possible. The patterns would not have matched in the 12th Century, and I needed to move beyond the modern aesthetic and remind myself of this.
The only machine stitching was on the curved structural seams. The rest is done completely by hand.
I lined it in bright yellow silk, and applied the same color as a bias strip around the edge to seal up the raw hem.
I found an embroidered sari trim that gave the right amount of pizazz, without looking obtrusively modern. This would be the decorative band around the brim.
But that’s not blingy enough. Time to add bezants. Yay for fitting coronet!
Clearly, the answer is more bezants, and pearls. And Amethyst for a little contrast, of course.
Time for the praipendoulia, which my husband helped me put together with amazing findings I was able to get from Etsy, brass bar we punched and filed ourselves, and chain.
Time for test fittings!
And the obligatory Anna make a new hat, so time for a screamo face:
And then Birka happened, as it always does. And we flew up from Trimaris for the occasion. Here’s me in my persomanikion, with the kamelaukion and diadema (coronet), with Gieffrei and our adopted kiddo, Aethelflied, who rocks that teal sari Byzantine. Jeff and I are technically more in Siculo-Norman, as my personmanikion is based on the collar and overall shape of the Palermo Tunicella of Roger II of Sicily. Add the beanie and I may as well be a Sicilian noble, rather than a true Constantinopolitan one. I guess you can say I Normaned. Again. It makes the Norman Husband happy, at least. Plus, Siculo-Norman is just Byzantine without class, right? #notevenonce
I learned there is such a thing as “too much bling”, which is unfortunate. It’s either the praipendoulia, my hair, or my cruciform necklace. I cannot wear all three at once. I removed the necklace relatively early in the day because it was THAT bad, and then it became more manageable for me to pull my hair away from the dangly bits. But since this was worn by a Norman queen, it wouldn’t surprise me if it was worn with a thin silk veil and wimple to protect the hair from tangles. I’ll be exploring this look at a later date.
Speaking of look, nothing says “epitome of grace and nobelese oblige” like me with a can of beer in the back of court.
Sorry about not posting this sooner, I needed a brain decompression period post-Pennsic.
I was honored to serve as a champion of the East Kingdom’s Arts and Sciences War Point team this summer, and decided that it was the perfect time to complete an icon of Michael the Archangel that I had planned on for some time. Since I’ve posted previously about my process, this is mostly just a picture (and video) dump.
The best part? This belongs to me. It’s not a gift or a scroll for somebody else, he gets to stay in my personal collection, and I’m happy about this. I’m also insanely happy with how it came out.
The original icon is dated to the 15th Century at the Church of Panagia Angeloktisti, Kition, Cyprus.
And here is my finished piece, on a 11×14″ poplar panel from Pandora Icon Supplies:
Slew of progress shots:
And a comparison between this one, and my first Michael icon from September 2013:
While working on this, I decided I was going to video myself, and then roll it into a timelapse, here is the result! Yeah, the musical choices aren’t really, uh, Byzantine, but some of them could work. Maybe. 😉
Day 1: https://youtu.be/OfBiAdaYZ6I
Day 2: https://youtu.be/FNgDTw9NBE8
Day 3: https://youtu.be/-fblmmceEjw
Day 4: https://youtu.be/lCN_gHKOvvA
Day 5: https://youtu.be/tLLrVU7Tgfs
Day 6: https://youtu.be/-fNdg_zoeUg
Day 7: https://youtu.be/sPMhnnbO-8E
And the full blown 10 minute timelapse of the whole shebang for your enjoyment:
I left the East Kingdom on Memorial Day weekend in 2016 for Caid.
I left Caid for Trimaris in January of 2018.
Three kingdoms in three years, and not without scandal.
I normally don’t post dirt or personal feelings much on this blog. I prefer to have it reserved exclusively for my research and helping others. But sometimes, helping others and performing a service isn’t just steering them down the path of Byzantine goodness, it’s also helping them navigate this crazy life that is the SCA, because as Yoda said: Once you start down the dark path, forever will it dominate your destiny.
A hobby is not much of a hobby if it starts controlling your life.
Here’s the rub: This isn’t going to be a pleasant post for me to write, but I’m at the point where I need to play SCAdian Kool-Aid Man and bust through a wall. Much like it wasn’t easy last year for me to come forward about my battles with mental illness and the SCA, I need to come forward and discuss how the last year has taken a toll on myself, my marriage, and my want to participate in the SCA.
We had front-row seats to Caid’s “Trimgate” when we were leaving for Trimaris. Our last event was the coronation with the ill-woven trim. I didn’t see the blatant swastikas until after pictures were posted, because the day was rather joyous. The newly-crowned royals were well loved and it seemed like we were going to miss something fun. And, here I was, driving across the country when the hivemind went into overdrive, and those I knew from other Kingdoms were pinging me directly for the dirt. I admit, at first I got sucked right in. I was driving to a place I didn’t want to live. I was miserable and tired. I had no furniture and replied to Facebook posts via phone. I posted things, and then I backed up. I got reminded by others that I needed to focus, and I did. I stopped answering DMs, I started dispelling false accusations that were flying across my feed so fast I couldn’t stay on top of the fact-checking, and I slipped away from conversations that were getting heated and allowed the kingdom I was leaving to take matters into their own hands, which they did with grace, and without me getting in the way or being some weird third wheel to satisfy the hunger of a pack of wolves half the world away chomping at the bit for juicy drama. When all was said and done, that debacle was all and all a result of bad theater. Yes, go ahead, get mad at me: Bad. Theater. Bad choices were made, bad answers were given, bad accusations were being made. None of which, by the way, deserved death threats in response. I hate that knee-jerk reaction. I’ve been at the receiving end of them before in my mundane line of work and it’s usually the ultimate show of immaturity and lack of class. And, also a great way to get the FBI on your ass.
So, that’s how my 2018 started. I shook that off, and tried to make the most of being in Trimaris. I still should have made my husband make a hard turn back at Albuquerque.
I’m not going to go into the entire saga that was last year’s summer reign in Trimaris. I’m not even going to post names so that search engines pick it up, but, like the Caid Coronation, I had front row seats, again, to the very religious Trimaris Coronation, which used the same ceremony structure as I did for the Eastern Coronation that same month. The words for how I felt watching that train wreck don’t exist. I wanted to chalk it up to Inter-Kingdom Anthropology, but when you get warnings on people the first week you live in-kingdom, the Spideysense tingles a bit hard, and I should have seen all this coming.
Anybody who is friends with me on Facebook, knows I’m actually some sort of fire elemental with a temper like Mt. Etna and enough heartburn for everybody. I also have zero tolerance for BS.
It was -my- Facebook page that his former majesty of Trimaris decided to use as his proving ground for baseless Nazi “jokes” a year ago. And I woke up to a barrage of DMs that made me wonder if somebody I knew died. Seriously. I was asleep the entire damn time, and it was my non-SCA friends who were in the fight.
Sure, blame it on them for instigating all you like, which I got, from a lot of people. Hell, I was victim-blamed enough myself, even from people I thought were my friends. And while I have a lot of friends that run the gamut of political opinion, I’m not a fan of the current hard right. When you start “joking” about treating liberals like Holocaust victims, I don’t care what kingdom you’re from, what your job is, or even if you’re Her Majesty Elizabeth II of the United Kingdom of Great Britain and Northern Ireland, you’re toast. I am going to nuke you from orbit, and rightly so.
And sure, you may come in here with your whataboutism and go “But Anna, what about the Alt-Left, they’re all ANTIFA and COMMUNISTS, AND SOCIALISTS AND-” And I will knock you down with every book on my shelf in the form of Chicago Manual of Style 17th Edition citations.
…So now’s a good time to talk about what I do. I’m a historian. A real one. Not just a hobbyist. Some of my projects from my previous employer have involved working directly on the cause and effect of fascism and anti-fascism movements in 1920s-1930s Italy and Germany. So when somebody plays the wingnutty crap on my social media, I tend to get a wee uppity. I can also go into a lengthy discussion on the differences between Marxism-Leninism, Stalinism, Maoism, and other examples of Communist regimes because that comes part and parcel with this whole focus on mid-20th Century history that I was doing for a while. (Hilarious for a Byzantinist, I know, but research and historical method don’t change. I also had excellent courses on this period as an undergrad that allowed me to have a springboard.) This is something I know A LOT about, and I also know that it hasn’t been communists sending me death threats.
What this king said was bad. What he was posting on his own account was bad. I didn’t even remember friending him, or why he decided to target one of my threads that specific day. It’s over now. And then Pennsic happened, and then the BOD did their thing, which is still a contended issue.
And then I was nominated to the Board of Directors, and am currently sitting on the list of other nominees wondering if my time is going to come around. It’s a thankless job, and people will hate me for it. I know I can’t go in there with an agenda, and nor do I plan to, but if my voice can be the slightest hint of change, then so be it.
Gieffrei and I refused to attend a single Trimaris event from then on out. We spent our entire last spring prepping for Pennsic as our only SCA involvement, which worked out, because I’m also a member of other clubs and it was nice to see something else for a change. I was reached out to by many Trimarian peers, and while they are all wonderful people with the truest intentions in mind, our hearts were broken. We wanted to be done. We wanted to get our citizenship back in the East, and go forth with that.
Our minds were actually changed at Pennsic by the then-heirs to Trimaris, who heard about my issue, and took the time to hear us out. We’d go to Fall Coronation, and see how it went. Honestly, I really enjoyed the break we had. I was gung-ho active in Caid for 2 years, and I needed a nap.
Jeff, on the other hand, being fresh off of a sea duty, wanted to hit everything he could before he got back to a boat and I didn’t see him again for another 3 years. I obliged him. I decided that we could start reentry by checking out the baronial chancery. I could get back into scribal, and he could meet others. This ended up getting him into scribal extremely hardcore, and he went from painting blanks with my gouache to taking off with my dry pigments and making his own paints for use on pergament in the span of about 2 weeks. My head spun.
We treated ourselves to a trip back up to the East Kingdom for Birka this last January, and it was a nice, fun, change of scenery. But I also found it made me dreadfully homesick upon coming back down to Trimaris after a scant 2 nights away in the frozen north. Jeff fulfilled his dream of chartering the Royal East Kingdom Moneyers Guild while living 1500 miles away, and I enjoyed catching up with friends.
Inter-Kingdom Anthropology between the East and Trimaris is pretty substantial, way more than I experienced in Caid. Every event down here is pretty much the same: you go to one of the three most commonly used sites, and there will be cabins/tents, fighting, fencing, something A&S, and a feast, so the scenery doesn’t really change. This is what works best for Trimaris, and I’m simply making my observation as an outsider. Coronation and Crown are 4 hours from where I live in the kingdom, and are at the same site, so you’re guaranteed to make that haul 4 times a year. My parents live 2 hours from site, so we’ve been able to work from there for a day trip until this weekend when we actually camped it. It’s a nice summer camp site, but provides little opportunity for the populace to bust out their good garb for coronation. If the climate won’t make you want to die in it, the dust will destroy it. It’s a minor detail for those that have lived down here their whole SCA career, but for someone like me with a closet full of fine silks and wools just waiting to be moth bait, it’s depressing. This isn’t anybody’s fault but my own, of course. It’s my wardrobe, and my variety of experience. It’s the price I pay to be a Navy spouse, you could say, but it doesn’t make me any less homesick if anything for the ability to wear something other than linen I can throw in the wash from my Pennsic wardrobe. Hell, even using the term “homesickness” is somewhat ironic in this sense, considering I grew up in Florida.
We were very much welcomed this weekend at Coronation, and apologized to frequently for last year’s explosion. But I still feel distant, and foreign. I’m not sure if the pilgrimage to Birka did this, or not. I think it was the concurrent ongoing of East Kingdom Coronation and getting those notifications popping up across social media at the same time I was elsewhere that may have done it. It’s hard to watch my friends assume the thrones of the East when we’re not in striking distance enough to help. When we can’t go to the events we were so accustomed to, and were looking forward to attended again before the Navy invested me as Baroness of the Alligators. It’s not that we’re not having fun, we are, and simultaneously can’t wait to leave in order to form the strangest collective of feelings one can feel at once. The folks we’ve fallen in with here in Castlemere are our kind of tribe, so at the very least, if we don’t make it down to the Crown site again, we can still have a good time up here.
I’m sure a lot of this is exacerbated by my inability to find work, my daily struggle with depression and anxiety, and my new friend fibromyalgia, who moved in several years ago, but didn’t get a name until recently. It’s making camping suck, which for me is horrid, beause I love camping events, I love our tents, and now I’m dreading being a physical burden on my husband and household at Pennsic should I have a kicker of a flare. I felt like hot garbage for a fair chunk of coronation, but did my best to not let it show. Nothing some Tylenol and a few cups of magic grape juice couldn’t at least distract me from.
I also feel that the political climate being what it is, the upheavals across the society being what they are, are also a driving factor in my exhaustion. It did me little good to have last year drudged up again at Coronation, though I wholeheartedly accepted each and every apology given to me, because it is right to do so.
As a historian, I am beyond aggravated at these internet memes and “alternative facts” that support and drive white supremacy and Nazism into Medievalism. I want them out of my game and my life. Period. We’re always told that we should let peers do the work of dealing with such affronts, but I say, in this regard, that we’re all peers when it comes to striking down hate and dragging it out of our lives and our game. When we see something, we DO something. Period. We stop bad theater before it starts so nobody gets hurt making a bad choice, we catch bad behavior in action and deal with it accordingly before they ascend to the throne. No more casting the job off on somebody else based on a hierarchy that will get us a latte at Starbuck’s for $5. It is not “social justice” to want a club that has diversity and inclusion, especially when the periods we are representing WERE diverse. (HELLO The Byzantine Empire had an “Office of Ritual Brotherhood”, which may have been same-sex marriage, AND allowed and accepted transgender individuals to join their calling in the orthodox clergy and FFS there were African blacks in Europe that were NOT SLAVES.) There is enough counter-offensive on the internet now with sufficient documentation from us pros in the history biz to stop this cassarole of Nazi nonsense. I have a hard enough time taking them seriously when they show up dressed like Homer Simpson with tiki torches, but I’d be damned as hell if I let my grandparents’ bones turn in their graves further or the legacy of my husband’s career be diminished by allowing them to walk all over my hobby. We are an educational group, are we not? We do what we need to do in order to blare our ZERO TOLERANCE neon sign from on high and nip this junk in the bud before it blooms.
Despite my own exhaustion, I’m not leaving. I’m not going to quit and let the SCA turn into Uncle Hitler’s Charm School for Wayward Jaded White Men. I may be in pain, but I still have a lot of fight left, and if I gotta go, I’m going colorfully, and with lots of company. I’m sick of reading posts by other members who have had their hearts broken.
If my nomination to the BOD goes through, great. I will do what I can to make the SCA a better place. If I’m ever elevated to peerage, great, I will do what I can to make the SCA a better place, but my work should not be limited to if I achieve those positions.
This is going to take a village, a populace, and a knowne world.
Never Again. And not in my SCA.
Probably the crappiest attempt at 17th C. Imperial Russian you’ll ever see, but it was coated in bling so it doesn’t matter.
This story begins, as so many do, with the quintessential opening of, “So no sh*t, there I was…” It was February of 2016. I was at a tiny pop culture convention at UConn with some friends who I’ve known in the comic artist circuit for no less than googlety years.
…Yes, I draw, by the way. My first degree is in art, and I’ve been working on and off in the pop culture industry now since 2002. The latest thing I churned out was this Master Chief for my brother-in law. This is not relevant to my post. I just wanted to show it off because I slayed that bristol board.
Long story short, I had secured badges for San Diego Comic-Con International, yes, the big one, and I was chatting it up with a friend in our hotel room on a freezing cold night in Storrs, CT. She randomly suggested something along the lines of, “You should totally do a historically accurate Black Widow.” And I only half heard it. So while she was talking about art, I heard “costume for Comic-Con”, and the rest was history.
The kicker was getting in a position to make it before the con. Our move from New Hampshire to California had already been scheduled, and I was in the middle of writing and sewing my thesis. So what it came down to was waiting until I actually lived in San Diego to get started. This would not have been so bad, if we didn’t wait a month for our household goods to come in. When all was said and done, I had 3 weeks to pull it together. I began ordering supplies before I had a sewing machine in my house, and basically launched this project on a Hail Mary.
Since I made this for convention cosplay, versus SCA wear, I decided to focus on the look of the costumes from the 1903 Ball at the Winter Palace, in which the theme was to wear 17th Century court dress. So it was already going to be anachronistic in addition to costumey. I chose the look of the coat of Grand Duchess Xenia Alexandrovna, sister of Czar Nicholas II, and the kokoshnik from another noblewoman.
I was sewing up to the night I wore it, but it paid off in the end: I was awarded a hall costume blue ribbon from the Hollywood Costumer’s Guild, and got to meet Terry Dresbach, the former costume designer from “Outlander”, who immediately recognized my attempt at a historical version of Black Widow. I didn’t get my picture with her, but I did with others from their group.
Here is a full gallery of the construction and wearing of the costume at SDCC. Note the crazy nuances like my makeup, and nose ring. This was never intended for SCA wear, it’s more like a Las Vegas Imperial Russian.
And then the costume got put away in my closet, and came out again for Costume College in 2017, but I didn’t wear it.
And then the 2019 Birka Garb Challenge was announced as “Marvel and DC Superheroes and Villains”, and I was like, “Well, okay. I’m skipping this one. Unfair.” And then I got talked back into it. Originally, I was going to enter as Thanos in full crazy 12th Century Byzantine complete with chased and repoussed “armor” as a loros, and then decided I didn’t want to do that much work. So, I backed out again, in prep of doing the medieval persona hike here in Trimaris in February at Corsair’s Heart, which I figured would give me a better avenue for re-wearable garb.
…And then I got asked to trot this haute mess back out. Since nobody back in the East Kingdom actually saw it in person, I had a few people who really wanted me to bring it. I had even more people who didn’t remember, or know, that I did this, so when I posted a few pics to social media that one was coming out of the vaults, I think it really intimidated a lot of other participants. For their benefit, and my own, I decided I wouldn’t enter the fashion show, and opted in to judging it instead, which, honestly, was so much fun, I would totally do it again. I loved sitting on the panel and admiring all of the entries with the other judges, TRM East, Her Highness East, and Her Highness Atlantia. We had an absolute blast.
So yeah, if you saw this, and wondered what the frack it was, this is what it was. The ribbon hangs in my studio, underneath a ribbon I won at Arisia 2009 for my first ever Byzantine ensemble. They’re a nice reminder to stay humble. 😉
I commissioned a conjugal achievement of arms from Konstantia, and I couldn’t be more excited about it. Check out her blog on the process!!
Achievement of Arms are a period way to show off one’s accomplishments in the SCA, as combined with one’s heraldic device. I had the great fortune to create a conjugal coat of arms for my Byzanbestie Anna and her husband Gieffrei, and ended up also blogging the process, too.
Let’s start off with the details and definition of what a heraldic achievement of arms actually is. An ‘achievement’ is a full formal display of a coat of arms. This form of display is normally used in very formal situations, and can be used for decorative elements, banners, and of course, on scrolls. An achievement is one’s heraldic device surrounded by all the extra elements accorded to an individual by their rank in the SCA according to their kingdom’s sumptuary laws. Most of the elements, however, are optional and do not have to be displayed. Further bits of interkingdom anthropology: Ansteorra registers…
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It’s always a fun occasion when you find out a good friend is getting an award that means a lot. In this case, a good friend, Count Ioannes Aurelius Serpentius, was being awarded the Silver Rapier in the East Kingdom for prowess on the fencing list field.
Being that mean sneaky friend that I am, I offered my service as the scribe for this award, and put in the request with Tyger Clerk of the Signet. Once things got out of the holding pattern, the date for the award was moved up a bit, so I had to jump in on this a bit earlier than planned. Dropping my list of silk banner commissions and other projects to the wayside, I allowed the scroll assignment to take the wheel.
I ordered a finished panel from Pandora at a size a bit smaller than I usually go, 9.5×12.5″ versus 11×14″. It wouldn’t change the size of the cartoon I would have to make from the original, but make it a bit easier to ship from Trimaris to the East in a flat rate box. I would just have to get a bit creative with the scroll text.
I went ahead and did that first while I waited for my order to come in. Knowing it would have to be short and sweet, I went through a selection of Byzantine kontakia to find one that I could rework into an award for martial prowess. Of all things, I landed on the Kontakion of the Annunciation of the Most Holy Theotokos, dating from as early as the 6th Century: (Theotokos translates as Mother of God. This is a hymn to the Virgin Mary.)
To thee, the Champion Leader, we thy servants dedicate a feast of victory and of thanksgiving as ones rescued out of sufferings, O Theotokos; but as thou art one with might which is invincible, from all dangers that can be do thou deliver us, that we may cry to thee: Rejoice, thou Bride Unwedded.
And then my reworking into a secular scroll:
Kontakion of the Awarding of the Silver Rapier to Count Ioannes Aurelius Serpentius:
To thee, Ioannes, we, Wilhelm and Vienna, King and Queen of the East dedicate a feast of victory and of thanksgiving. O Ioannes, but as that art one with might which is invincible, from all dangers that can be do thou deliver us, that we may bestow upon thee: A Companion of the Order of the Silver Rapier. On this day, November 17th, at our One Hundred Minutes War, Anno Societatis LIII.
There is a bit of fun irony here. The first being that the award was being given out just a few days prior to American Thanksgiving, and two, it was Ioannes’ birthday. So for his birthday, the royals dedicated a feast of victory and thanksgiving, which would be a very period thing to do to for a peer being bestowed an accolade of some type. In the Byzantine tradition, commemorations of an individual would be held on birthdays, and anniversaries of death. The document that was involved with my thesis/Compleat Anachronist, includes Kale Pakouriane authorizing a bequest of icons to the monks of Iviron to be used in the commemorative feasts for her husband, Symbatios, who was buried at the monastery. I have yet to pinpoint if icons were used for awards for living individuals, but I admit I haven’t chipped away at that research as much as I should be.
Finding the right icon to pattern turned out to be harder. The East Kingdom loves giving out “alterative” scrolls to the traditional ink and pergamenata creations by extremely talented scribes and artisans, so I knew I was throwing my hat into the pro ring. I decided it was going to be Michael the Archangel, since he is the patron of basically all things martial including fencing. Archangels are also not inherently symbolic of any one faith, as they exist in all three of the Abrahamic religions (Judaism, Christianity, and Islam), Zoroastrianism, and I believe also in the modern religion of Baha’i. They have considerably ancient roots and were prevalent during the classical through medieval periods in three continents, thus making them generally a safe choice to be enjoyed by all.
But I needed to find a badass Michael. Most period icons are of him standing in splendor or just a bust. These are lovely pieces, but I needed more pizazz. I found it in this considerably late Russian piece that is inching out of period, though some Cavalier fencers would say not, so this is my nod to those folks who bend the rules in one direction, just as I bend them in the other.
Of course I couldn’t find something simple. The palette was dark, probably from the aging of the pigments used, it was probably made on a much larger scale that I was about to try with, so some details were going to be skipped. I decided that I would leave the earth, the devil under Michael’s feet, and the figures to the right (our left) of Michael, who I would attempt to transform into Count Ioannes and Countess Honig. The orb would be used for the order’s heraldry.
Sure. No problem. I had weeks still.
First, I had to revisit the hell that is gilding in Florida. It was suggested that I use a mixture of gum arabic and honey to make an adhesive for the gold. And that is what I did. What I didn’t do, though, was give it enough time to dry. This resulted it some of it squeezing out from under the leaf, and taking some gold with it. Because of this, it took me some time to get smooth, even coverage, and I ended up using 2 full leaves of double ducate 23k gold on that small halo. I decided that panicking over the smeared gold was going to be useless, so I sanded it with my agate burnisher once the gold was set, which took 48 hours, despite us having a cold front at the time. I got an okay burnish, but since I had a nice thick layer of gold in addition to the bole beneath it, I pressed designs into the halo to make it look textured, and hide my flaws.
Then the protoplasm went down a day later. I wanted that gold as set as possible to avoid any more mistakes….except…that…wow, that sankir (skin color base) was wicked dark. I had overestimated the deep palette a wee bit, and understimated the richness of my blend with the egg medium. It was just Antica green earth and Roman black, and I have had it go on more translucent before, so the only person to blame was myself for not testing the color first. I also bit down and did the cloak in real vermilion (mercury sulfide, for those playing at home), because it is the accurate color, and nothing paints as nicely as it does. This put it immediately into the “DO NOT LICK” category of SCA art. Pretty much everything else is an ocher pigment, including the ultramarine blue and the crimson red used on his leggings. You can see how the vermilion looks a bit more orange against the crimson, which is what I saw looking at the original.
So on my first day of brush-on-board, I created a super dark, toxic ethereal being.
The next day, I basically had to sand off the sankir on Michael’s face, and hand-draw in the facial features so I could actually do any highlighting. The end result was a bit creepy, if not demonic. It gave me the jim jams.
So now, Michael was super dark, toxic, and demonic. Where was this going?!?!
But I recovered after a night of crabbing to Gieffrei, who reminded me that Ioannes would be happy with a stick figure as long as I drew it. Unfortunately, I wasn’t happy, but I was determined.
The first workover of highlights gave him a grumpy old “can’t even” look. Angels are androgynous and youthful. So that wouldn’t do, and would need another pass. I was pleased with the way the delicate florals came out on the cuirass and leggings. I put in an evil eye amulet for luck. You should be able to see it dead center.
I devoted an entire Sunday to getting the highlights down in two sessions. It’s not always a good idea to go over tempera layers a lot in the same day because it can pull up the paint and expose the panel. You have to let it set and harden overnight for best results, but I bent the rules. I put in what I think was two 4-hour sessions that day. Break time was spent grocery shopping and eating dinner, despite insisting that I needed no sustenance. My husband thought I was going insane, but I couldn’t pull myself way, and the time was well worth it.
And then the gold happened. This is watercolor, not shell gold, but the set I have is great. Archangels are divine, and as such, can be slathered (tastefully) in gold. And that’s what I did.
I gave myself a couple of days to allow for the paint to cure and harden, as I mulled over how I was going to do the border and words. I needed a contrast, and the only color I could think of would be Venetian red. It’s not my favorite pigment to work with since it tends to stay grainy and fight back against the medium by not absorbing it well for some reason, but it did come out the way I wanted it to after two coats. I also got the inscription down in my nice watercolor gold, and the border.
The text would need to be white to pop, but I also need to give that tempera a solid 24 hours of curing time before I attempted to write on it. Once that day passed, I went in there with a ruler and white colored pencil, and gently laid out the text. I decided that the words “Order of the Silver Rapier” would be done with the white gold in the palette to emulate silver, and to give a subtle sparkle. Gold was used as the spacers. I am not a calligrapher, and painting with a brush is hard, but I got it cleaner than I expected to.
And the finished wording:
Some cleanup work with the Venetian red, and VOILA! DING! Scroll is done!
Comparison with the original. Naturally, there was no way I could make an exact copy, but I think I did the piece justice in my own style:
And then the attempts to take as many artsy shots as possible on a solid background under my desk lamp to show lumanescence. Tempera is naturally shiny, so gold leaf and metallic paints just add more shiny, and this wasn’t as easy to photograph as say, a more flat painting would be, hence the varied angles to get different results.
This entire icon was painted almost entirely with a 3/0 brush. After completing it, I went out and purchased a 12/0 and 20/0 for even finer detail now that my skills are being honed.
I’ve been waiting for weeks to post about this. Secrets are so hard to keep when you’re excelling at something. I’m sad it had to depart to its new owner, but I know his face, and the face of those assembled at court will make it worth it.
I was super nervous shipping it north, even though we had time, the weather was starting to turn in New England, I was hoping it wouldn’t get stuck out in the snow or get soaked in a Nor’easter downpour. There was a massive sigh of relief once I heard it was received safely.
…Of course, I still need to oil varnish it. But that can’t be done until their Majesties provide their John Hancocks. 😉
Story time with Auntie Anna:
Back in the day, which is always a Wednesday, before we began our Knowne World Tour, it was arranged for Jeff to get his Silver Crescent at the same event as his Maunche because he was leaving Portsmouth for San Diego. Because of this, scroll requests got backed up. I wrote the words for his Crescent that was read in court, but he had no scroll. I promised him I would write an icon for him. THEN-
He left for Caid.
I got assigned Konstantia’s Herald Extraordinary scroll.
I wrote my thesis.
I moved to Caid.
I got the gilding down on this.
His backlog scroll came in from the East, and it’s lovely and I gave up.
He came back.
I did things other than paint.
We moved to Trimaris.
I was like, “Oh I still have this.”
And he was like, “So where is it?”
Here it is. 3 years later.
Panel is one of my handmade ones on a birch art panel with my own gesso. It is a hot mess and was not easy to paint on. I noticed the places where I didn’t sand as well, or touched a lot during demos and displays were prone to pitting and bad adhesion of the tempera. On the bright side, a lot of the flaws I had were the same flaws I saw on very old post-period/in-period panels. So there’s that, I guess. If anyone can take my experimental art and actually like it, it would be Gieffrei, anyway.
Saint: Nicholas of Myra, known to most of us as Santa Claus, but also the patron saint of sailors, and, of course, heretic puncher supreme. The reason I chose him should be evident. (Hint: Nothing to do with punching heretics.) The pattern is modern. Most period icons of St. Nicholas are rather boring and rarely show him with a boat/in a boat. Those are all post-period.
Green sky/blue water = Jeff’s arms, sans martlets, though in retrospect, I could have drawn one in. Green is also his favorite color.
Silver Crescent is on the boat, not only because service to his kingdom, but also to his country.
Inscription around the border: Γοδεφρείδος, Αργυρά Ημισέληνος της Ανατολής. “Gieffrei (Godefredus in Latin and Greek), Silver Crescent of the East.”
Main inscription just says Saint Nikolas.
After it cures for a couple of weeks, I will oil it, let it sit for a month, and then it can join the gallery on the staircase as an actual scroll.
Egg Tempera is a great medium, but it takes some getting used to. As far as iconography has gone, I have never used a ready-made paint. I have always used dry pigments mixed with egg binder, even in my not-so-great early pieces. I’ve since learned the quirks of it, but I still have a bit to go.
The binder is easy to make: egg yolk and white wine. The wine is optional, but it helps emulsify the egg a bit, as well as act as a preservative. Still, you only get a week, tops, with this stuff in the fridge after a day on your table.
My mixture this go around was 2 yolks and about “that much” of white wine. I’ve gotten to the point of knowing the color I want for the right mixture. You can separate the yolk from the white by transferring the goop back and forth between the broken eggshell halves. Then you pop the yolk with a folk, and let it slowly drain into the jar, catching the membrane in the process. If the membrane goes in, it’s not a huge deal, but you just need to make sure you don’t suck it up in the dropper later.
As you can see, it’s not a ton of liquid in a standard size mason jar, but a little goes a long way. You use drops, not tablespoons.
Once I get the magic liquid made, I go ahead and set up my table. I already had most of this out when the gilding started, but here you can see my collection of pigments, and that I taped wax paper down to protect my work surface. All of my pigments are from Earth Pigments or Natural Pigments, are are 100% natural earth or mineral colors. Mostly oxides, but also some crystals. The bagged jars are my quarantined toxic vermilion (mercury sulfide) and minium (red lead) pigments.
Egg tempera is backward from watercolor, you start dark and then add highlight layers. It seems weird, but it works. In iconography symbolism, you continue to “play God”, and build the paint up from the protoplasm, into a glowing, holy image.
Starting with the sankir, or base skin tone first. I mixed Antica Green Earth, and Roman Black. Think about the skin color of the Greeks and Middle Eastern people where this artform originated: olive based. Again, start dark, build up to light.
Egg tempera can be fickle depending on how fine some of the pigments are ground, the material they’re made from, and how much moisture they suck up. Antica green is fickle and kind of grainy, so I had to adjust as I went along with more pigment, egg, or water, depending on my needs.
I made a ton of sankir, so I painted all three icons with it. This isn’t always the best approach and it sort of busted my flow for the rest of the day, but they all have the same base mix, which is good. The rest of this icon-a-long will be for St. Martin.
I don’t have pictures of work on Martin, because, well, I was painting. It’s a time consuming process, and it takes hours. Total amount of work today alone was about 4 hours.
The perfect cloak red in icons comes from vermilion, real vermilion. I have a few different reds, but nothing paints like the real thing. So the real thing needs precautions. I keep it quarantined in its own baggy, with its own tools. Instead of using one of my palettes, or shells (I do have shells, the porcelain is just easier to clean) I use a plastic spoon that I can keep separate. While vermilion is considered inert once painted, the dry form is still toxic, it is still mercury, and needs to be controlled.
Of course, once I got started with it, a warm fuzzy thing decided to distract me.
I had to use a tiny bit of the minium as well. It’s one of my favorite colors. As shocking orange as you can get, and a fully period color.
After getting tired, taking a break halfway for dinner, and coming back to it, and still getting tired while finishing up the background, which is okay, because more coats will make it more opaque, but I’m bushed. I know it looks super weird, but over the next few days, the icon should “appear” as I add the highlights.
In November, I was asked (or rather, crashed a Facebook convo) regarding the new Eastern heirs coronation wishes. Byzantine!
Having worked with the couple before for their first coronation (wherein I was a spooky Vestal Virgin reading a scary prophecy) I knew that their love of display and theater is something that I had missed dearly living in Caid. At the time, the Norman still had orders back to the East Kingdom, so we were planning on being around for the spring coronation anyway. I didn’t hesitate in agreeing to help build them their wish. Even after the orders were changed, I decided I wouldn’t drop the project, and that we would find a way to make the pilgrimage back home to the East Kingdom for one event.
Since I was most familiar with the source materials, I would develop the coronation ceremony, as well as ensure that the kingdom looked as fabulous as possible, despite my distance. So in January, after our move across the country, I sat in the library for a few hours and pecked away at the page here on my site to help folks get dressed. Once I was finally able to get internet installed, I located the primary source for the Coronation, and began my work in writing the modus.
I had several personal goals in mind:
– The ceremony had to be based on authentic period procedure.
– The ceremony had to be secularized and welcoming, but still “sacred”.
– The ceremony had to contain the traditions and relics of the East Kingdom.
The first two I could do, but the third I called in the reserves, and reached out to Master Steffan ap Kennydd, who I had worked with before, for his knowledge of ceremony and the needs of an East Kingdom-specific ordo.
The source depended on what period their royal highnesses desired. Both the 6th and 10th Centuries were brought up, and after some gentle nudging toward the later option, I was able to go forward with working with De Cerimoniis/The Book of Ceremonies by Constantine VII Pophryogennetos. Drafted in the mid 10th Century as a court manual for his heir, the book contains a collection of various ceremonies pertaining to the Byzantine court: coronations of the emperor, the empress, how to address foreign dignitaries, how to invest an officer of the court, and what to wear to the emperor’s birthday dinner. I knew that the coronation ceremony was available online here, but after some eyelash-batting toward the husband following our tax return, I purchased the full paperback copy that was available through Brill Publishing, in an updated translation that would help me pick up anything that was missed, including the separate coronation ceremony of the empress. (as of April 10th, 2018, I’m not seeing the print version available. Just the ebook here: http://booksandjournals.brillonline.com/content/books/9789004344921 )
It took me a good week to really get my first draft where I wanted it to be. And then, the Facebook chats began. I’m not really sure how other kingdoms work, but at least in the East, being that the coronations are often a production, so there’s a lot of moving parts after just the ceremony. My work was far from over. I made sure Steffan saw it first, and then passed it on to their highnesses, and Brigantia Principal Herald, Malcolm. For the sake of brevity, I’m not going to go into much detail on what was discussed, but mostly it was taking what I had written, plugging in the East Kingdom ceremonies, and figuring out logistics on music, and the performance of the demes (circus factions) leading the acclamations.
Mistress Margretha reached out to me to help with the music, and we decided that a processional hymn would be ideal. I pinged Martyn Halliwell and Mistress Aneleda for demoi assist, and Martyn just took it and ran with it. We were getting close, and my confidence was waning, if it wasn’t for Margretha and Martyn, I have no idea how I could have pulled it off. Margretha, a Greek native, knew what we needed for a hymn, so she secularized the Christmas Kontakion into a chant, and formed the “manly wall of sound” as she referred to it. Byzantine hymns very rarely have soprano or alto notes, so singing recruitment was a challenge for her. However, she nailed it, as you will see in the videos below.
Here is a link to her source material:
And her hymn:
Το Βασίλειον σήμερον άνακτας νέους λαμβάνει
Βασιλέαν ανίκητον, Βασίλισσάν τε ωραία
Αρχοντες μετα Μαϊστόρων ούτους υμνούσιν
Ρόδα δε μεθ’ Ιπποτών δοξολογούσιν
Δι’ημάς γαρ στεφθώσιν
Κολφίννη τε και Μπρένναν εξ Ανατολής
To Vasilion simeron anaktas neous lamvani
Vasilean anikiton, Vasilissan te orean
Archontes meta Maistoron outous imnousin
Rodha dhe meth’ Ipoton doxologousin
Di’imas gar stefthosin
Kolfinni te ke Brennan ex Anatolis
The Kingdom today receives new Sovereigns
Invincible King, Fair Queen
Lords and Masters sing praise upon them
Roses and Knights rejoice
For they are crowned for us
Caoilfhionn and Brennan of the East
Martyn knows how to wrangle a crowd. So rather than go with my original plan of having a chorus of Greens and Blues answering Brigantia, he got the factions to lead the populace, thanks to a handy print-out, and planting folks in the audience. It went off without a hitch the day of and sounded great.
The final piece, once Steffan had helped determine where we would place the traditional unction of water from the Bay of the Mists (San Francisco Bay), and the swearing of the coronation oaths, was actually writing the oaths. There’s not much in De Cerimoniis regarding this, believe it or not. In period, the patriarch performed the blessing and coronation, which is something that we do not do in the SCA. As far as East Kingdom tradition goes, the transfer of power is peaceful, and the previous royals crown the heirs, who then swear their oath on a relic vial of dirt, from the backyard of Diana Lystmaker where the society was founded. Brigantia performs the unction. The order of operations is fluid, but they have to be in there. Since investiture is also a part of the Byzantine coronation, where the rulers are clothed in the khlamys, that needed to go first. So cloaks, crowns, oaths, and unction are the order we decided on.
This is when Princess Caoilfhionn stepped in. I was at a loss at where to go for oaths. Baroness Konstantia had used a rather loquacious one when she stepped up as Gold Falcon Principal Herald in Calontir, but it seemed too informal for a coronation, as it was strictly an officer’s oath. Her now-Majesty found the missing puzzle pieces we needed in the Coronation of Anastasius I from the 5th Century. While it was earlier than De Cerimoniis, it provided the puzzle piece needed to complete the Eastern-specific ordo we wanted. Caoilfhionn wrote her own versions of the oaths, which are available here in their primary source form. Since we had acclamations already planned from De Cerimoniis, the ones here were removed. The secularized edit is in the ordo document linked at the conclusion of this entry.
Transcription of primary source:
EMPEROR. It is manifest that human power de
pends on the will of the supreme Glory.
PEOPLE. Abundance to the world ! As thou hast
lived, so rule. Incorrupt rulers for the world ! and
EMP. Since the most serene Augusta Ariadne
with the assent of the illustrious nobles and by the
election of the glorious Senate and mighty armies,
and the consent of the sacred people, have advanced
me, though unwilling and hesitating, that I should
assume the care of the Empire of the Romans, agree
ably to the clemency of the Divine Trinity
PEO. Kyrie eleeson. Son of God, have mercy upon him.
Anastasie Auguste, tti vincas ! God will keep
the pious Emperor. God gave thee, God will keep
thee ! and so on.
EMP. / am not ignorant hoiv great a weight is
laid upon me for the common safety of all.
PEG. Worthy of the Empire ! Worthy of the
Trinity! Worthy of the City. Out with the in
formers. (This last is doubtless an unauthorised
EMP. / pray Almighty God that as ye hvped me
to be, in this common choice of yours, so ye may find
me to be in the conduct of affairs.
PEO. He in whom thou believest will save th#e.
As thou hast lived, so reign. Piously hast thou lived,
piously reign. Ariadne, thou conquerest ! Many be
the years of the Augusta ! Restore the army, restore
the forces. Have mercy on thy servants. As Marcian
reigned, so do &&gt;w…(and much more to the same
EMP. Because of the happy festival of our Empire,
I will bestow 5 solidi and a pound of silver on each
PEO. God will keep the. Christian Emperor.
These are the prayers of all. These are the prayers
of the whole world. Keep, Lord, the pious Emperor.
Holy Lord, raise up thy world. The fortune of the
Romans conquers. Anastasius Augustus, thou con
querest ! Ariadne Augusta, thou conquerest! God
hath given you, God will kesp you.
EMP. God be with you.”
Being at this point, about 2 weeks out from the event, things were as good as they were going to get. The husband and I hit the road 5 days before Coronation from Florida, making some mundane stops along the way. We arrived at our crash space for the evening, which doubled as the prep space for the dayboard, so we got to get some catching up in over balls of matzo dough, while the Norman did what he does: design and strike coins for the reign.
But you didn’t come here for coins, you came here for the ceremony. So, here it is, is all of it’s splendiferous PDF form.
And Videos! These are taken with my phone, so professional they are not. Bear with some of the moving and the shaking.
The only hiccup we had is that the bridal tunnel utilized to get the procession where it needed to be created a bottleneck, and we had a backup. Just more time to listen to Margretha’s beautiful hymn, and set the Byzantine mood.
Procession and Ceremony:
PS: What about the garb? I had maybe 2% to do with that. Baroness Fortune St. Keyne has my trust implicitly, and I just helped her with some basic pointers on the shape of the divetesion, and color of the silk. (The orange was not me!)