Achieve!, or the Diary of making an Achievement of Arms

I commissioned a conjugal achievement of arms from Konstantia, and I couldn’t be more excited about it. Check out her blog on the process!!

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Achievement of Arms are a period way to show off one’s accomplishments in the SCA, as combined with one’s heraldic device.  I had the great fortune to create a conjugal coat of arms for my Byzanbestie Anna and her husband Gieffrei, and ended up also blogging the process, too.

Let’s start off with the details and definition of what a heraldic achievement of arms actually is.  An ‘achievement’ is a full formal display of a coat of arms. This form of display is normally used in very formal situations, and can be used for decorative elements, banners, and of course, on scrolls. An achievement is one’s heraldic device surrounded by all the extra elements accorded to an individual by their rank in the SCA according to their kingdom’s sumptuary laws. Most of the elements, however, are optional and do not have to be displayed.  Further bits of interkingdom anthropology: Ansteorra registers…

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Surprise! Icon!

I took a break from iconography for a while because I felt like my art wasn’t up to snuff, and I was thinking of giving up. By the way: never give up. I had the pleasure of working at the Museum of Russian Icons over the fall semester of 2015, and I learned a lot while I was there, including getting the change to work with the entire inventory, and examine, and touch, period icons. While I was there, I went ahead and purchased some better accurate pigments and more gold, and decided it was time to get back into the swing of things. Initially, I was going to try my hand at turning an icon into my husband’s backlog scroll for the Order of the Silver Crescent, but then I got an offer I couldn’t refuse: Konstantia, my blue twin out in Calontir, was to receive her Herald Extraordinary, and the now-Gold Falcon Herald, Uji, invited me in on the shenanigans.

Initially, I was asked to just do the words. Here is what I came up with instead. Oops?

First, I purchased real icon boards from Pandora Iconography Supplies. It doesn’t have a kovcheg (recess), but that’s because those are expensive. Each 11×14″ board is $55 a piece as is, and custom made upon ordering.  I tried my hand at gessoing my own panels, and uh, yeah, nothing beats the real thing by the professionals, even at the price.

So I laid it out, as you do. The pattern is from an actual 13th Century icon of St. Gabriel the Archangel (Herald of God, and the end of the world, and stuff.) and is still popular today.

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Then I prepared the halo for gilding with real red clay bole, which I also purchased from Pandora. As you can see this go around, I also bole’d the edges. This is something I learned at the museum. It symbolizes the artist being mortal, and rough around the edges, therefore, it doesn’t get sanded and burnished like the halo does.

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Note the thickness of the application here. This is vital to a good leaf adherence. You literally just puddle the liquid bole on, try not to get air bubbles, and let it dry.

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After the nice thick layer of bole dried overnight, I burnished it with agate to bring out that blingy shine.

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After the gold leaf (23kt double gold in this case) was down, the sankir and roskrish are applied, including real vermilion for the cloak. That’s mercury sulfide. You know, death in paint form. (To quote my  grad school classmate and fellow SCAdian Wilhelm: “Only in the Middle Ages could something so mundanely boring potentially kill you.”) The stuff was like painting on a cloud though, but at $18 for a smidgin, I don’t see myself using it all the time. This was a special occasion that warranted potentially poisoning myself.

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I tested the shell gold on the vermilion once it was dry to see how it would turn out, and decided yes.
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And the highlighting process begins, with poor Gabriel looking as if he literally can’t even.

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Some hot dry pigment action:

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More highlighting:

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And then ALL THE SHELL GOLD. OMG, SO MUCH GOLD.

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*BLING!*

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Roll that beautiful inscription footage, ah yiss…

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And then, the actual “scroll” wording needed to go down. I based this on some period examples of text included in the borders of icons. I need to work on my lettering, but I think I did a fair job, considering this is my first icon “scroll” ever. I kept with the plain yellow ochre border, as it was an extremely common choice in period. It’s also affordable and predictable.

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And DING! SCROLL IS DONE! Words are based on the Akathistos Hymn to Mary.

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Gabriel can’t even. Literally.

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Obviously, I had to send it from the East to Calontir, and I managed to sneak it in the mail the day I left for Spring Break. Now that it’s signed, she needs to send it back so I can apply the oil varnish and make sure that it’s protected properly.

Oh, the kicker? I did her garb for her Stepping-Down from Gold Falcon, and surprise Herald Extraordinary bestowal as well. 😉 Which at least, she commissioned and knew was coming.

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I am so dead the next time I see her. *shifty eyes*

Back from Figments and Filaments

I had the pleasure of attending a great new costuming symposium in the Midwest this last weekend: Figments and Filaments, in Independence, MO. It was certainly a long way from home, but worth the traveling. I’ve never been to Missouri, and I have plenty of friends in the Kansas City area who were more than happy to give me crash space. Naturally, fellow Byzanteamster Konstantia Kaleothina was my host, and with our powers combined with Andrixos, we were the Byzanteam! Taking the fashion show by storm!

 

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I taught 2 classes: My Historical Costuming for Cosplayers one, and my 2 hour long Roman dress one, and we actually got to the Byzantine part, hurray!

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It’s so odd watching yourself on screen.

 

I also took the train there and back, you know, to do something different (and it was cheaper.) I will definitely take the train long distance again. That was fun, and everybody should do it at least once.

I have so much wonderful things to say about this convention, I don’t even know where to start. Yes, it was small, and it was its first year, but it ran well, and everyone seemed to have had a really great time. Even this slightly aggressive Easterner. 😉 They want me back for next year, so I’ll be planning that return trip shortly.

Check out their website at Figmentsandfilaments.com, and the respective Facebook groups and pages.

 

Since I had so much time on my hands on the train, I stared at the Bamberg Textile again for a while, and now another blog is cooking while I start planning to turn a piece of red-orange linen into a short stola. Mwahahaha.