Icon do it! St. Lucia of Syracuse icon completed!

So last spring after another botched attempt at iconography, I was prepared to give up the art form entirely. I’m not a painter, and the stuff I draw primarily is Japanese anime, which is, uh, so not period or even appropriate for icons at all.

This fall, I was asked to offer my skills as an artisan to the East Kingdom gift baskets to be given out at Pennsic. I accepted, but I wasn’t sure what to do. I decided, reluctantly, to pick up the brush again, but first I needed to practice.

I invested in new supplies: new pigment colors, new brushes, real gesso, and bole and olifa from an icon supply place on the internet.  I also went and got some real gold leaf, despite still having way too much composite from my previous projects I should use up first. I have silver and copper composite leaves that I picked up cheap from an art supply store locally, so I wondered if they would be of any use on practice pieces before I potentially wasted the good stuff.

Most icons are done in gold, but there are a few in silver encasement. After I did some digging, I did find this 11th Century icon with embossed silver leaf, so I figured that was at least some evidence that silver was being used in period on icons.  I used this as an excuse to blow through 4 sheets of composite silver on this piece.

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Embossed silver icon from the 11th Century.

I chose St. Lucia since she was from the same town as my persona. Local saints were prized in the Middle Ages, and that’s a good enough reason to assume that I would have strongly venerated her. She is also a patron of seamstresses, so a little saintly intervention in the sewing room can’t hurt. 😉 There’s plenty of modern icons patterns to choose from on the internet, so I picked the one I wanted, grabbed one of my remaining Gessobords (This one is 9″x12″), played with carbon paper, and followed the same steps as I did previously, only on the pretense of leafing all the things. The leafing took about 3 hours. Even with the larger sheets of fake stuff.

lucia_bole lucia_silverprocesslucia_silver

I soon learned that embossing composite leaf was not going to work. I did more damage than anything, so I repaired the leaf where I borked it up, and decided to leave it flat. There’s plenty of flat gold icons. I may not be able to find a flat silver one, but we’ll call this a creative anachronism. (I mean, composite after all.)

So the painting started, with the layers being applied over several days. Mostly snow days, thanks to the lovely winter we’re having in New England. (Lovely as in @@#!#$$!!!!)

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I started to get nervous as I began to work toward the upper most highlight layers, this is where I had screwed up before. So, taking deep breaths, and using my new, thin brushes, I worked carefully, putting in no more than 2 hours a day over the course of about 7 days total. The finished results shocked me, they shocked my husband, they shocked my friends. I couldn’t believe I pulled off an icon that well, looked like an icon.

lucia_highlight3lucia_almostdonelucia_done1 lucia_done2 lucia_done3

I did it! I really actually DID IT. The best part is that she’s for meeeeee! I get to keep her and admire her next to poor Archangel Michael and show her off in displays without feeling mortified at my attempt.

The only real thing I don’t think I will ever do again is leaf or gild an entire panel. It was a pain it the butt to paint over where it accidentally got on the drawing. In fact, her halo and inscription are actually in acrylic. I had to cheat in order to get anything on the leaf. I’m sure that the real gold won’t act like the fake stuff, but I’m not about to try it right now and find out. Let’s get better at what I’m doing before I start ruining sheets of 22k gold.

In the mean time, Lucia is aging over the next week or so before I seal the leaf and oil the painting with olifa. And I plan to bring her and some other goods with me up to Montreal for King and Queen’s Arts and Sciences next month.

I also re-did my Iconography page with a more complete gallery and link to my tagged archive. Do go check it out.

Award of Arms scroll for Lady Petra de Cilicia

I’ve done some translation before for scribal work, but I never really get the chance to play wordsmith. So when the husband of a friend receiving her AoA at Birka this last weekend asked me and the other ladies of the house to help, I got excited. Her persona is Spartan, which makes things surprisingly difficult as written Spartan anything is scarce. There’s only 2 recorded Spartan poets, and they were entirely chronicled by later authors. In this case, I was able to find some Tyrtaeus quoted by the Roman author, Plutarch, in “The Life of Lycurgus” from The Parallel Lives, and some snippets of awesome from his section on Spartan sayings in Moralia.

This is what I was able to come up with, with notations in brackets:

Phoebus Apollo’s the mandate was which they brought from Pytho, [Pythian Apollo was a  Spartan patron god.]

Voicing the will of the god, nor were his words unfulfilled:

Sway in the council and honors divine belong to Edward and Thyra, [King and Queen of the East.]

Under whose care has been set Sparta’s city of charm;

Second to them is one, Petra de Cilicia.

Who swift in foot, aides our Hoplites of Eastern Shores,

Supporting the armies, and the love of her husband unwavering

and thus, the understanding that a helmet is for personal protection,

but the shield is common good for all. [The court laughed a lot here, I wish they didn’t. The quote is serious.]

And by this duty, our king, our queen, and council

Name on this day, Lady Petra, and award her arms for her to bear alone.

Duly confirming by vote this unperverted decree

Declared six days before the month of Eleusinios, [Eleusinios is approximately the Spartan month of February, named for the Eleusinian Mysteries, another cult that the Spartans revered.]

Before the great council at Market Day at Birka, [Spartans were huge into councils.]

Koino̱nía Étos Forty-Nine. [‘Koino̱nía Étos’ is Greek for the Latin ‘anno societatis’ or, ‘in the year of the society’.]

For anyone interested in Spartan society, I highly recommend the above sources by Plutarch, and also Herodotus’ Histories.

Linkage:

Plutarch: “Sayings of the Spartans” from Moralia:
http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Moralia/Sayings_of_Spartans*/main.html

Plutarch: “Life of Lycurgus” from Parallel Lives:
http://penelope.uchicago.edu/Thayer/E/Roman/Texts/Plutarch/Lives/Lycurgus*.html

Herodotus’ Histories:
http://www.gutenberg.org/files/2707/2707-h/2707-h.htm

New Facebook Page

I’ve created a page for this site, and to allow folks who aren’t friends with me on Facebook to connect. I have a lot of friends on my mundane page, and this will simply streamline the process for those that wish to contact me and get updates about what I’m working on.

All of my work, articles, patterns, and handouts will remain HERE, but I can have all updates to my blog posted to Facebook for more social interaction.

https://www.facebook.com/annasrome

It is a page, not a profile, so anybody can “like” it, as opposed to needed me to approve your friendship.

My very heraldic Christmas and Io Saturnalia!

My lord had to go do Navy things for a few months, so when I should have been studying for school, I sewed things.

I also found out that Santa Claus can read heraldry! You see, we stayed home for the holidays this year when both of us usually travel, sometimes in opposite directions to keep both families happy, so we had no decorations. None. Zip. So  I was shopping for the necessary trimmings, and found that they’re all way too expensive and I didn’t like them all anyway. So I went to Joann’s, dropped $60 in supplies, and went to work.

Here’s our heraldically (is word?) influenced tree skirt, hand appliqued, lined in horrible plaid with fringy fringe that was more of a pain in the butt than it probably should have been:

treeskirt

And our heraldically correct stockings, you know, instead of writing our names in puffy paint:

stockings

But modern Christmas is not terribly period ,but it sure is pretty. So, I decided to try Saturnalia from the 17th-23rd of December for the first time this year, and we definitely had fun! We set up a household altar with Roman goodies: an amphora, a cup of wine and a cup of olive oil, lamps, and I had a tea light for each night of the festival (how, uh, syncretic of me.) Each day the lord and I would make an “offering” to Saturn in the ways of whatever we had around. This varied from my actual Roman artifact rings, to a cheap rhinestone ring, amber necklace, chunk of shortbread, coffee, and Geoffrey’s Dungeons and Dragons Elementals. I am not even kidding.

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The First Day of Saturnalia.
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The star lamp would have been very appealing to the Romans, who were fond of gilding all the things with gold suns and stars for the festival. I kept it lit the entire 7 days.
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The last night of the festival with all the goodies we offered! Rainbow Brite pillowcase from the 80s and chopsticks my husband brought me home from Guam. Why not?! I was burning some extra candles since we weren’t home for a couple of nights.
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The magnet on my car. Complete with some New Hampshire December ice and grime.

It was all in the spirit of the season, and trying to feel as the Romans would have felt. Every holiday in December has one thing in common: The solstice and the return of light at the darkest part of the year. So I’m a big fan of setting things on fire or putting a mere 1500 lights on my balcony and 400 lights on my tree.

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And lawn flamingos. Nothing screams winter like pink plastic.

Most of all, we had FUN. I hope everyone else had fun with the holidays this week, also!

Felicem Dies Natalis Sol Invicti!
Καλά Χριστούγεννα!
Or as my friends say, “Happy Lights!”

I hope everyone has a Happy New Year, and I’ll catch you all on the flip side with some neat info on Byzantine outerwear, and the upcoming garb challenge at Birka!

THIS IS WHY WE CAN’T HAVE NICE THINGS, ANNA.

On the 1st day of Saturnalia, dilectus meus gave to me: A Judean Date Palm Tree.
On the 2nd day of Saturnalia, dilectus meus gave to me: 2 Punic Wars, and a Judean Date Palm Tree.
On the 3rd day of Saturnalia, dilectus meus gave to me: 3 Gauls dead, 2 Punic Wars, and a Judean Date Palm Tree.
On the 4th day of Saturnalia, dilectus meus gave to me: 4 Good Emperors, 3 Gauls dead, 2 Punic Wars, and a Judean Date Palm Tree.
On the 5th day of Saturnalia, dilectus meus gave to me: 5 Aureii! 4 Good Emperors, 3 Gauls dead, 2 Punic Wars, and a Judean Date Palm Tree.
On the 6th day of Saturnalia, dilectus meus gave to me: 6 legions a slaying, 5 Aureii! 4 Good Emperors, 3 Gauls dead, 2 Punic Wars, and a Judean Date Palm Tree.
On the 7th day of Saturnalia, dilectus meus gave to me: 7 Hills of Rome, 6 legions a slaying, 5 Aureii! 4 Good Emperors, 3 Gauls dead, 2 Punic Wars, and a Judean Date Palm Tree!

The end.

You’re welcome, and Happy Holidays folks, no matter what edition of lamp burning or tree lighting you partake in.

A review of FutureLearn’s course on “Hadrian’s Wall: Life on the Roman Frontier”

Readers of my blog will probably recall a post I made not long ago, well, six weeks ago to be exact, on my beginning of a course on FutureLearn. I reblogged a post “Who built the wall?” when the course started, and now I feel urged to share a poem by Rudyard Kipling, “The Roman Centurion’s Song”. It’s that feeling you get when you finish a good book, that emptiness that comes with completion. I guess I didn’t expect to feel this way, but that’s a good thing! That means that FutureLearn and Newcastle University have done their jobs. For a free online course, it was OUTSTANDING.

A little bit about the breakdown of the course:

Each week had about 20 short sections to complete. They ranged from short videos, to articles, and quizzes. The quizzes don’t count against your grade, they were just a learning tool. Every 2 weeks there was an actual test, culminating with the final test at the end of the 6th week (That one had some curveballs in it.) My favorite part were the little forensic challenges that happened every other week or so. You would be given an archaeological find of bones, and then try to determine cause of death, gender, etc from the clues given in an article. It was a great insight into the grim world of forensic archaeology.

The Vindolanda tablets were totally awesome. I had heard about them before, but never actively went seeking them. I really suggest taking a look at them here. Learning a bit more about the religious syncretism that occurred at the wall and methods of worship was also incredibly fascinating.

In addition, the discussions that were had were also great. Each section has a discussion area that functions like a social media platform, in which one could post an answer or topic of discussion and receive answers, sometimes even by the staff at the University, who was actively engaging with the MOOC the entire time.

Here’s Newcastle University’s blog of their experience: https://blogs.ncl.ac.uk/numoocs/

I do believe you can still check out the course. Go to https://www.futurelearn.com/courses/hadrians-wall/ and see for yourself. I may have also totally taken the bait, but Newcastle University may be on the list of schools I look into for my PhD. But that’s a ways off yet, let me finish my MA first!

Thank you to the staff at Newcastle University and FutureLearn for offering this experience. I’ve already enrolled in an upcoming course, also through FutureLearn, on the archaeology of Portus which is being given by the University of Southampton, another UK school. I look forward to checking that out in January. 🙂

 

 

 

 

I swear, I’m not dead.

I started my MA degree this fall at the University of New Hampshire, and needless to say, it’s been keeping me a bit busy. I am doing what research I can, and hitting all sorts of amazing conferences, such as last weekend’s New England Renaissance Conference in which the topic was Credit and Debit in Medieval and Early Modern Europe. Totally a fascinating topic I never even thought to look into before.

In 2 weeks there is an event in the Barony of Carolingia, our neighbors to the south of Stonemarche, called Voyages of Discovery, and A&S Colloquium. It is a mundane clothes dress academic conference with Scadians in mind. I will be presenting my paper on Suetonius’ biography of Domitian, and my analysis using contemporary sources. It’s one of my undergraduate works, but it was my writing sample to get into graduate school, and apparently did the job.

I also plan to prepare my propoloma article from here on this blog for publishing in Ars Scientia Orientalis, the East Kingdom A&S Journal, much like my silk paper was. So yes,  even though I haven’t been crafty, I’ve still been busy!

 

I do have some slow-coming work in progress on Byzantine outerwear. Look for that in the coming weeks.